Winter’s End

Two wolves dominate the lower half: one dark (almost black-blue) and one pale (white-blue). They’re walking forward side by side, heads low and eyes focused, which gives a strong sense of tension, vigilance, or quiet determination. Their bodies overlap slightly, suggesting duality or partnership rather than conflict.

Above them, the sky is abstract rather than realistic. Broad, flowing bands of colour deep blue, teal, peach, pink, and yellow curve across the wall like an aurora or slow-moving smoke. This soft, fluid background contrasts with the detailed, grounded realism of the wolves.

Along the horizon line behind them are silhouettes of trees, and on the right there’s a small glowing orb or light among the trees, which adds a subtle focal point and a hint of symbolism or narrative. The streetlamp in front of the mural cuts vertically through the scene, reminding you it’s very much part of a lived urban environment rather than a gallery piece.